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DallasArtsRevue is changing again.
by J R Compton, Editor & Publisher
The Art Here Lately page is bursting with new stories:
I've just finshed an actual art review of the 4 shows now at 500X — with words & pictures;
Tabatha Trolli Milk skin cotton/polyester, Sand, painted bra cup,
straight pins, shoulder pad, felt 2017 $425
I photographed an almost art review a fortnight ago, with lots of pictures of people and some art at Nan Coulter's existential photo show at Goss-Michael, but not many words;
& I finally finished writing a How to Promote Your Work story I've been promising for at least a half dozen years.
contributors to DallasArtsRevue.com: Jim Dolan Michael Helsem Norman Kary Ken Shaddock Kathy Dello Stritto @rt Shirer Katja Zimmerman James Michael Starr Gerald Burns Stories, Art and Poetry and before that, Marian Henley, Dan Piraro, Tom Moody, Suzanne Weaver, David Gene Fowler, Karen X, M.J. Smith, Robert Trammell, Julian Riepe, Stuart Kraft, Georgia Stafford, Tim Schuller, Glenna Park, Peter Feresten, Julia Frazer, John Shown, Susan Whitmer, Chuck Taylor, Ron Lowe, Philip Lamb, Gordon Hilgers, Greg Metz, Robert Razka, the real D-Art/The Contemporary founder Mary Ward, Luanne Standish, James Surls, Paul Rogers Harris, Joe Stanco, Gary Deen, Gillian Conoley, Alex Troup, Robin Milsom, Roger Gruben, James Megar, Lou Ann Kunshick, Mary Riffe, John Walker, TJ Mabrey, Steve Pusin, Dwayne Carter, Murray Smither, Pam Burnley, Terri Thoman, Ranelle Bain, Richard Hoeffle, Rick Lambeth, Daniel Barsotti, Michael Helsem, Betsy Dillard Stroud, Don Mangus, Marilyn Waligore, Lee Murray, Jerry Sutton, Frances Bagley, Barbara Simcoe, Julie Ryan, Wade Wilson, Tre Roberts, Johanna Drucker, Roxy Gordon, Alan Sondheim, Amanda Milsom, Lisa Pritchard, Jon Held, Jr., Jill Parr, Rowena Bush, Karen ERXleben Weiner, A.M. Hudson, Kim Edge, Dottie Allen (Love), Tracy Hays Harris (Flavin), Carol Wilder, Beth Ray, Daryl Baird, and many many others, including several persons whom you would be seriously impressed by, but I can't list their real names, because they chose to use pseudonyms when they wrote stories for DallasArtsRevue